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"Why do you speak of people dropping out of your life?" "It was placed here; I feel it, I know it," says Mona, solemnly, laying her hand upon the panel. Her earnestness impresses him. He wakes into life. "Well, she did. I don't remember about that, you know. I was quite a little chap, and hustled out of sight if I said 'boo.' But of course she's got over all that, and is as jolly as a sand-boy now," says Geoffrey, gayly. (If only Lady Rodney could have heard him comparing her to a "sand-boy"!).
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"Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection. She presses her hands still closer against her eyes, as though to shut out from her own mind the hatefulness of such a thought. And then, with a fresh effort, she brings herself back once more to the question that lies before her. "No," he replied, "I am in a hurry; I cannot wait." She kept calling to him, and when she had called him the fourth time he went over where he was to slide with her. Possessed with this thought,—which drowns all others,—he clasps his hands behind his back and saunters to the window. "Shall he go and meet Mona and learn the truth at once? Better not, perhaps; she is such a clever child that it is as well to let her achieve victory without succor of any sort.".
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